Word: maztlanã
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Similar to that of “Vagabondia” (2001), this earlier “The Long Road to Maztlan?? (1999) uses vivid colors and distinctive hues in the face and skin to emphasize human vulnerability. Each screen, while seamlessly in contact with each other, emphasizes different shades of the same face. This makes for a powerful perspective change, as characters dancing from screen to screen are seen from a different light whenever they change screens...
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