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...Join Hands. At Uppsala, Mc Gaw held his services at a small pre- fabricated chapel outside the main assembly hall. Initially, he asked the worshipers, mostly curious clergymen and youth delegates attending the conference, to divide themselves into circles of six, join hands and pray or meditate. Each person was then asked to explain what the moment had meant for him. In the next phase, the worshipers one by one stood in the center of the circle, closed their eyes, and let themselves fall backward; they were caught and passed from one member of the group to another. "The purpose...

Author: /time Magazine | Title: Liturgy: Let Us Touch | 8/2/1968 | See Source »

...early spring of this year Murray the K was supposed to have been in England acting as MC at a show in the Bishopsgate theatre district of London. That fact has not been thoroughly researched...

Author: By Michael Cohen, | Title: Sergeant Pepper Re-visited; Invitation to a Phantom Feast | 7/23/1968 | See Source »

...cover was designed by MC Productions and photographed by Michael Cooper, whose initials are MC. The designers must have contributed to the formulation of the cryptogram. The same people designed the cover to the Stones new album, "Their Satanic Majesties Request." The Stones' album has its own little puzzle, which has a number of possible solutions. Why shouldn't the two be connected? The man in blue with only his back showing on the back cover of the album is, after all, Mick Jagger, not Paul. The Beatles are hidden in the three dimensional picture on the Stones cover. This...

Author: By Michael Cohen, | Title: Sergeant Pepper Re-visited; Invitation to a Phantom Feast | 7/23/1968 | See Source »

...come for the Who and when the MC announced that they would be a "few minutes late" the groans quickly gave way to resignation. The crowd might not have behaved so impeccably if it had known the full extent of the delay that was in store...

Author: By Salahuddin I. Imam, | Title: The Who | 7/23/1968 | See Source »

...took two hours that night with periodic tactful reassurances from the MC about how the Who "were temperamental like all great artists," and how they had decided to rest a little in New York, etc. But finally the amplifiers did begin to appear on stage, narrow amps and big ones, amps of all shapes and sizes, 18 of them in all waiting like faithful dogs for their masters to come and re-vitalize them. The lights blackened and the Who sprinted...

Author: By Salahuddin I. Imam, | Title: The Who | 7/23/1968 | See Source »

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