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...Awful Truth (Columbia). Resourceful, humorous Director Leo McCarey (Ruggles of Red Gap, The Milky Way, Make Way For Tomorrow) takes a couple of derby hats, an ingratiating wire-haired fox terrier and three players without any special reputations as comedians, and spins a brightly-written Vina Delmar script into the gayest screen comedy the season has seen. In the process he establishes Irene Dunne as one of the top comediennes of current cinema, keeps Columbia's reputation for mature comedy (It Happened One Night, Mr. Deeds Goes To Town, Theodora Goes Wild) at its brightest. He also...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 1, 1937 | 11/1/1937 | See Source »

From this beginning, Director McCarey accelerates the comic pace, shows Lucy trying lamely but gamely to follow her new-found Oklahoma hearty (Ralph Bellamy) through the intricacies of "truckin'," singing prairie ballads in duo with him, listening to his tender homespun verse, with Jerry an amused and disturbing audience. As Lucy's life becomes more madly muddled, with three men complicating it, the comedy turns slapstick. High spots are Jerry's discomfiting brush with jujitsu at the expert hands of the singing teacher's Japanese houseboy, the free-for-all that follows Mr. Smith...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 1, 1937 | 11/1/1937 | See Source »

...amazement. No amazement is in order. Taking a subject about which everyone has speculated—the financial insecurity of old age—the picture examines the case of Barkley Cooper (Victor Moore) and his wife Lucy (Beulah Bondi). Adapted by Vina Delmar from Josephine Lawrence's novel, directed by Leo McCarey (Ruggles of Red Gap), the story is presented with rare cinematic honesty. It is acted by Victor Moore, in his first serious cinema role, and seasoned Beulah Bondi, with that effortless perfection which, because it can come only from long experience, all younger actors lack. The result...

Author: /time Magazine | Title: Cinema: The New Pictures: May 17, 1937 | 5/17/1937 | See Source »

...urged by MacFarland's manager (Adolphe Menjou) to try prizefighting professionally. He accepts, to raise money to help cure Agnes, his ailing milkwagon horse. The story that follows is what hundreds of similar farces have taught cinemaddicts to expect, but the gags are new and Director Leo McCarey keeps them sputtering across the screen at firecracker speed. Funniest scenes: Lloyd learning to box from MacFarland's tough sparring partner (Lionel Stander); teaching the dowager patron of a benefit bout how to duck a punch; knocking out Champion MacFarland, whose seconds have accidentally given him a sleeping potion just...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 24, 1936 | 2/24/1936 | See Source »

Angels, The Front Page), that he had bought screen rights to the book for $15,000 and intended to produce it immediately - with the original cast, if they would consent to appear. Producer Hughes hired Leo McCarey to direct the picture, Ben Hecht to work on the dialog. When he came to the problem of selecting a cast, however, Hollywood's indignation interfered with his plans. Only three cinemactors are under exclusive con tract to Producer Hughes - Billie Dove (sometimes reported engaged to him) ; Pat O'Brien (Front Page) ; Jean Harlow (Hell's Angels). Forced to hire...

Author: /time Magazine | Title: Cinema: Queer People | 9/7/1931 | See Source »

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