Word: mcclellandã
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This Tobias is more sophisticated than in the conventional interpretation, setting the stage for a more believable flirtation with Lovett. Yet McClelland??€™s staging curiously backs away from this romance and the sexual triangle it might establish...
That’s not to say, though, that McClelland has not put great thought into his conception of the show. Regarding McClelland??€™s approach to the production, Sweeney himself (Benjamin D. Margo ’04) said, “He’s not treating the play as if it’s too precious, not like something that he has to do the way other people have done...
...Dion’s life into a sharp relief that makes his degeneration from love-struck youth to disillusioned middle-age beautifully tragic. Meanwhile, in a lifeless-yet-mathematically-correct architecture firm, Billy’s successful career takes off even as his life remains trapped in emotional stasis. McClelland??€™s nervous energy more than fills Billy’s cavernous office-space, spilling over and infecting the audience with amusement and empathy. When Margaret brings about the reunion of these former friends, the differences between them have become huge. Billy is a businessman, Dion is an artist...
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