Word: mcclintics
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John Steinbeek's now play Burning Bright moves into the Plymouth Theatre tonight. The pre-Broadway production will star Barbara Bol Goddes, Kent Smith, and Howard Da Silva. Direction by Guthrie McClintic and settings by Jo Mielzinor...
...Velvet Giove (by Rosemary Casey; produced by Guthrie McClintic) describes a most politely conducted battle. The opponents are a mother-general (Grace George) and a bishop (John Williams), and their battlefield is a convent. They are at odds over a young professor in the convent college whose Christian ideas about the obligations of wealth seem Communistic to a few moneybags in the diocese. The moneybags want the professor fired, and the bishop-whose causes they endow-agrees. As the professor's chief defender, the mother-general adopts the defense of beating the bishop at his own game. She sees...
Another Rosemary Casy won a $5,000 award for "The Velvet Gloves" before it was produced, but she was not satisfied with merely the plaudits of the Christopher prize. She approached Guthrie McClintic who agreed to produce and direct the play, Donald Ocnslager '23, who agreed to do the setting, and then she went about getting Grace George out of a seven year retirement to play the leading part...
...present production is under a new producer and director, Guthric McClintic, and we have him to thank for many of the improvements. The part of Jason, played by Henry Brandon is better handled, though still undefined. The chorus of three Corinthian women has happily not been recruited from the ranks of the subway money-changers, as seemed to be the case in the earlier production. Gone is their folksy quality perhaps, but the dialogue has benefited. On the debit side, there are two actors playing Creon and Aegeus who either have dental difficulties or misapplied crepe beards. Much of what...
...Euripides, Medea is seen at the last escaping to Athens with the bodies of her two children. And, probably since 431 B.C., moralists have been objecting to her apparent escape from punishment and retribution. I trust Mr. McClintic did not have this moral objection in mind when he altered the ending to have Medea merely standing over her children's corpses. The script has not been changed: she still talks of escaping, but the audience does...