Word: mccue
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Breuer's own home in Lincoln, Mass., which he designed soon after his arrival in America, was particularly influential, McCue said...
...leading figures in bringing to the United States a new philosophy of architecture," Gerald M. McCue, dean of the GSD, said yesterday...
...modern movement, which McCue said Breuer helped found, "believed that architecture derived from needs which were both social and inspirational and that a new architecture, which did not emulate historic periods, would emerge," McCue said...
...production gains its only vigor. Its spasmodic brightness, from the cast members, most of whom deliver very fine performances. As pat, the punchy cynical caretaker of the house. Brian McCue is quite good, but, as in many of his past performances, the seams show. There's a "stagey" quality to his limp, his wry grin, his extravagant gestures: one can see too clearly the thought behind every inflection, perhaps. McCue hoped to play upon Behan's theme of dramatic distance, to make the audience sharply conscious of the fact that they are in a theater viewing a performance. Unfortunately...
Jeanne Affelder is excellent as Meg Dillon., the feisty madame of the whorehouse. With admirable restraint. Affelder gives Meg a touching quality of tarnished dignity. While her early verbal jousts with McCue lack the necessary sarcastic edge, her climatic argument with him in the third act beautifully reveats Meg's reluctant tenderness. As Lestile, the young British hostage. Nick wyse finds the right balance of cynicism and naivete. Like the tenants of the lodging he loves his country, but he doesn't fully comprehend the war-especially when confronted with the possibility of his own execution. Wyse captures Leslie...