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Gerald M. McCue is no laggard. One year ago, when President Bok appointed him as the new dean of the Graduate School of Design (GSD), the School was being torn apart by an internecine struggle over a troubled department. However, today, a little less than 30 days before he officially takes over his new post, McCue has healed the wounds in the glass house on Cambridge St. and has already demonstrated a flair for the dramatic and innovative gesture...

Author: By Richard F. Strasser, | Title: A Facelift for GSD | 6/5/1980 | See Source »

...fact, while McCue was still dean-designate last year, he helped resolve the School's most prominent problem--the years-long struggle over the direction of the department of City and Regional Planning (CRP) at the GSD--with one swift and dramatic stroke. McCue's boldness surprised many observers, but most believed it to be a logical response to the strife that has surrounded CRP for the past five years. Since John F. Kain, professor of Economics, took over as chairman of CRP in 1975, the department has taken an unabashedly nontraditional approach to urban planning. He shook...

Author: By Richard F. Strasser, | Title: A Facelift for GSD | 6/5/1980 | See Source »

Paul Redford as Vladimir and Brian McCue as Estragon cannot be faulted for following these instructions; just quite the opposite, both strain to play up the many truly funny lines. But for the most part, their Odd Couple is more Camus and Sartre than Laurel and Hardy, blankly meditating on life's emptiness. Both are skilled actors, with exceptional diction, and their interplay is the highlight of this production. Their comprehension of the interchangeable nature of their roles seeps through each line: Vladimir speaks in verse, though Estragon is the poet. McCue and Redford mimic so subtlely that only during...

Author: By James L. Cott, | Title: L' Absurdite, C'est Moi | 5/1/1980 | See Source »

...McCue and Redford are not the only characters to don headgear. But neither Jeff Horwitz as Pozzo, a representative of the society that Beckett challenges, nor Lisa Claudy, as Pozzo's servant Lucky who responds to his master's every call, can remove their hats with the same aplomb. They lack Redford and McCue's dramatic dexterity. Horwitz seems content to outshout the rest of the actors, sounding more vaudevilian than dramatic. Claudy is not up to Beckett's extremely demanding monologue that satirizes Joyce, and sounds uncomfortable with the speed with which she must utter Lucky's stream...

Author: By James L. Cott, | Title: L' Absurdite, C'est Moi | 5/1/1980 | See Source »

...McCue's main worry is the trail of tuition dollars that will drift out of his grasp as the CRP students troop across campus. Allison, on the other hand, has so many administrative knots to untangle that he sees the millions needed for expansion as only one element of "a classic list of problems." First, he and his faculty must decide how to integrate CRP into the Public Policy program while reassuring students such as Scott Muldavin who say, "CRP people are concerned that they will be delegated to second banana over at the Kennedy School." Echoing McCue, Allison says...

Author: By Paul M. Barrett, | Title: City Planning: Better Homes and Gardens | 4/4/1980 | See Source »

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