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...Gerald M. McCue, professor of Architecture and Urban Design, will replace Maurice D. Kilbridge as dean of the Graduate School of Design (GSD) next June...

Author: By Elizabeth H. Wiltshire, | Title: Winners Take All... | 10/20/1979 | See Source »

...McCue, who has straddled the division between traditionalists and the broader-based department of City and Regional Planning (CRP), earlier this week praised the CRP's innovative approach, while noting that no department in the GSD adequately covers tradtional planning...

Author: By Elizabeth H. Wiltshire, | Title: Winners Take All... | 10/20/1979 | See Source »

...styled funnymen and second-story acrobats. Apparently, the Lampoon has decided to stop publishing their delightful in-house journal, or so we must surmise. But they have turned to the theater, and the result is On the Lam, a two-hour "comedy" revue starring Chris Clemenson, Grace Shohet, Brian McCue, and Fred Barton. Now we can get the same ten laughs we used to get in ten minutes, skimming the Lampoon during a tenure on the Porcelain Throne, spread out over a full two hours in the congenial Adams House Junior Common Room--this truly is the miracle of what...

Author: By Paul A. Attanasio, | Title: Dissertation on Roast Pig | 10/15/1979 | See Source »

...cast, for the most part, deserves such a show--one would be pressed to find three stage personalities as obnoxious as Brian McCue, Grace Shohet, and Fred Barton. With his pinched face and short catalogue of exaggerated expressions, McCue mugs like an eight-year old who wants a new tricycle; Shohet evokes Ethel Merman; Barton, the ham-handed piano player, thinks it's enough to bellow in a smug voice and grin idiotically like George Burns, jutting his prognathous jaw like a salient into the Comic Void...

Author: By Paul A. Attanasio, | Title: Dissertation on Roast Pig | 10/15/1979 | See Source »

...performances of Lulu's successive lovers vary according to how skillfully Wedekind wrote the parts. Christian Clemenson is delightfully boorish as the crude Dr. Goll. His braying inanities lighten the otherwise disjointed first act. Brian McCue's portrayal of Scwarz, however, is uneven, improving considerably from the first act to the second. When he first meets Lulu in the opening of the play, McCue relies too much on a series of mannerisms--rising on his toes, rubbing his hands, pacing around briskly--that distract attention from his passionate words. Japes Emerson turns in a sporadic performance, though he is cursed...

Author: By Susan D. Chira, | Title: Clever But Cold | 7/24/1979 | See Source »

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