Word: mcculloughs
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Specialty features this week are rather pleasant. Clark and McCullough, the sere and tested vandeville team, are largely responsible for it with their movietone comedy. The Publix arrangement "Topsy Turvy Town" is also a harmless show presented against a futuristic background. The left end from "Good News", if we remember the face does some clever hoofing in front of the ponies. This part of the performance is above the average...
HARVARD B. U. Burns, c.f. p., George Chase, 2b. c., Piccard Donaghy, 3b. 1b., Eliott Lord, c. 2b., O'Brien Prior, 1b. 3b., Gay Sullivan, s.s. s.s., Arkin Hardie, l.f. l.f., McCarthy Jones, r.f. r.f., Silverstein Barbee, p. c.f., McCullough...
...Philo McCullough) an engineer. Both loved snub-nosed Kate (Jobyna Ralston) daughter of the lunch room lady. Jim warns Bat to go slowly round the curve. Bat speeds up, skids, smashes into the ditch. Unhurt, Jim fires up old Engine No. 99, hauls on the mail bags, rushes to Medicine Bend on time, winning the contract and Kate...
Robust burlesque maidens and gentlemen in baggy trousers have been marching across U. S. stages these many years; marching, singing, telling jokes. Among them have been such major artists as Jim Barton, Clark and McCullough, Fanny Brice, the late Bert Williams, Belle Baker, Weber and Fields, David Warfield, Grace La Rue. Often the jokes have been off color; often the robust maidens have been elaborately exposed, so often that burlesque is often considered a rowdy industry. Sam A. Scribner, onetime circus man, fighting for years against unsavory shows, brought his Columbia wheel to a point of considerable respectability. In spite...
...necessary, without positive proof, to blame hidden influences for the silence of the press in such a case. Mr. McCullough--granting that his opinion on Mexican affairs may carry weight--does not make sufficient allowance for the nature of a modern newspaper. Marvellous, in its completeness and accuracy, as the spotlight of publicity may be, it shifts, like all spotlights from one part of the stage to another, leaving now Nicaragua, now Mexico, now Ohina in total darkness after a brief if brilliant illumination. History however goes on being made in the dark. Such charges are a challenge to journalism...