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...McEwan's comments keep alive a fracas that began two years ago when Amis, author of Money and Time's Arrow, started publishing a number of essays on Islamic terrorism, which were collected earlier this year in the book The Second Plane. In his writings, he described moderate Islam as "supine and inaudible" in the face of what he terms "Islamism" - a radicalized, fundamental branch of the religion he feels has come to dominate the Muslim world. His observations were often made in the broadest of strokes. He wrote, for instance, that "the impulse towards rational inquiry...

Author: /time Magazine | Title: Novelist McEwan Joins Islam Debate | 6/28/2008 | See Source »

Disputes have a way of reverberating for a long time among London's insular but closely monitored literary set. The latest - and surely not the last - salvo in the most heated current contretemps of the chattering classes has now come from novelist Ian McEwan. He has found it necessary, once again, to declare that Martin Amis, his friend and a fellow giant of English letters, is "not a racist...

Author: /time Magazine | Title: Novelist McEwan Joins Islam Debate | 6/28/2008 | See Source »

...Through all this, Amis had few allies save the very high-profile McEwan, who won the Booker Prize for the 1998 novel Amsterdam and whose book Atonement resulted in last year's Oscar-nominated film. In November 2007, he wrote a letter to the Guardian arguing that "vilification" was not the appropriate response from those who disagreed with Amis' writing...

Author: /time Magazine | Title: Novelist McEwan Joins Islam Debate | 6/28/2008 | See Source »

...McEwan, 60, recognized that similar views were held by some Christian hardliners. "I find them equally absurd," he said. "But those American Christians don't want to kill anyone in my city, that's the difference...

Author: /time Magazine | Title: Novelist McEwan Joins Islam Debate | 6/28/2008 | See Source »

...Which is how The Diving Bell and the Butterfly, an adaptation of stroke victim Jean-Dominique Bauby's autobiography, beat out the screen version of Ian McEwan's Atonement for best adapted screenplay. And how newcomer Marion Cotillard - who played Edith Piaf in La Vie En Rose - nabbed the best actress award that was all but already on Julie Christie's mantelpiece. The upset has British awards-watchers seething and might have left Christie a little peeved, too: on Monday morning she was quoted in the free daily Metro calling the BAFTAs "a night for the media to fill gaps...

Author: /time Magazine | Title: British Oscars: Worthy But No Wow | 2/11/2008 | See Source »

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