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Cradle of Expressionism. Says Rhodes Gallery Director Frank McEwen: "The great attribute of African traditional art is expressionism-and the Africans had it centuries ago." As everyone knows. Picasso. Braque, Brancusi. etc., admired and copied African art. "The entire modern movement in Western art owes a debt to primitive Africa, and that is the point we are trying to make with this exhibition." McEwen says. "It is a fact that very few artists of contemporary style do not possess some well digested but evident influences of Africa...

Author: /time Magazine | Title: Art: The Dark Gift | 9/28/1962 | See Source »

United Party. In Sunnyslope, Ariz., the Journal named the town's leading politician, Mrs. Edna McEwen, "Man of the Year...

Author: /time Magazine | Title: Miscellany, Jan. 18, 1960 | 1/18/1960 | See Source »

Policy on the Move. Concern with "softness" goes deeper. Said the Rev. Homer McEwen, Negro pastor of Atlanta's First Congregational Church: "We have lost our traditional thrust toward a moral society." Watching the modern morality play unfold in Washington, a Bostonian remarked: "The awful thing about the quiz show scandals is that we're looking at ourselves." But a Los Angeles man said, "This television mess is a pimple on the body politic-what Kennedy is talking about is the real illness...

Author: /time Magazine | Title: THE NATION: The Issue of Purpose | 11/16/1959 | See Source »

...Somehow McEwen had talked London's National Gallery, Amsterdam's Rijksmuseum, Paris' Louvre and other museums into parting with 200 treasures-Rembrandts, Cezannes, Picassos, etc.-for a Rhodesian show. The 200 oils and more than that number of graphic art pieces were flown across the equator in five well-packed planeloads. Said McEwen: "It is unlikely that such a show will ever be seen again in Africa because of the difficulties and the reluctance of overseas galleries to allow valuable works of art to travel so far afield...

Author: /time Magazine | Title: Art: South of Sahara | 8/26/1957 | See Source »

Another show of the kind will be even more unlikely when the lending museums get full reports on some of the difficulties. In high (4,825 ft.), dry Salisbury the humidity at night falls as low as 30%. With his gallery's humidifiers not yet in action. McEwen found that the dangerously low humidity was stretching the priceless canvases so taut that "they were ready to explode." To fight the dry air, McEwen and his Rhodesian sculptress wife, Cecilia, night after night dashed between their .flat and the gallery to drape damp towels over the frames of the stretching...

Author: /time Magazine | Title: Art: South of Sahara | 8/26/1957 | See Source »

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