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Poet Phyllis McGinley, though she feels that "women are certainly as bright, if not brighter than men," and are biologically tougher into the bargain, has her doubts about the radical fringe of the movement. In a poem from her collection, Times Three, she sums up her feelings this...

Author: /time Magazine | Title: Nation: Who's Come a Long Way, Baby? | 8/31/1970 | See Source »

...school's "guiding faculty," as its advertisements stress, includes Cerf and such other U.S. literary figures as Faith Baldwin, Bruce Catton, Clifton Fadiman, Phyllis McGinley and Max Shulman. "There is probably nothing illegal in the FWS operation," writes Miss Mitford judiciously, but she encourages would-be writers to take state-university correspondence courses for a fraction of the cost...

Author: /time Magazine | Title: The Press: Queen of Muckrakers | 7/20/1970 | See Source »

Suburbia has long had a special place in American social mythology. Its chroniclers in fiction are John Cheever and Peter De Vries, its poet laureate Phyllis McGinley. The $50,000 split level is its castle, the barbecue chef its master of the revels, the station wagon its chariot, the 8:03 or the clogged expressway its cup of doom. Few modern Americans feel much nostalgia for the farm or the small town, and most now find the once glittering big cities tarnished with decay. The pull of the suburb has been so strong that suburbanites are becoming the most numerous...

Author: /time Magazine | Title: American Notes: Suburbia Regnant | 7/6/1970 | See Source »

...Reims. It was V-E day, the end of the crusade in Europe; to Americans and much of the world, Ike and his triumphant armies were the heroes of an un forgettable moment. The atomic bomb, the cold war, Korea, Viet Nam, were all ahead. Wrote Poet Phyllis McGinley...

Author: /time Magazine | Title: American Notes: Anniversaries | 5/18/1970 | See Source »

Previous productions of The Fantasticks I've seen have provoked similar crises of faith. If you've heard "Try to Remember," you've heard the show's moral: to wit, "without a hurt the heart grows hollow." Now if you read that with a Phyllis McGinley intonation--as is often done--you've got a pretty saccharine play on your hands. The Leverett House Opera Society has chosen a different tack. The prevailing tone of the evening is a cool, balanced wit. Rather like a mellow Oscar Wilde propounding the importance of being burnished. The results are marvelous...

Author: By Gregg J. Kilday, | Title: The Fantasticks | 12/12/1968 | See Source »

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