Word: mclaglen
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Dates: during 1960-1969
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...trying to go fifty-fifty. 'Fifty-fifty, hell,' he said. 'It's your scene. Take it.' Then he added under his breath, 'If you can.' " The master of the western, Director John Ford, calls Wayne "a splendid actor who has had very little chance to act." Agrees Director Andrew McLaglen: "All of a sudden they're saying that he's an actor. Well, he always...
...really happened. Wagonmaster (1950) is rarely seen and one of Ford's most personal Westerns. One of the purest joys in all film. The Quiet Man (1952) is a ravishing color film shot in Ireland with the staples of the Ford "stock company": Wayne, Maureen O'Hara, Victory McLaglen, Ward Bond, Barry Fitzgerald. The Sun Shines Bright, Ford's deserved favorite of his films, is complex and unfashionable, and one of Ford's four unqualified masterpieces (How Green Was My Valley, The Searchers, Liberty Valance). The Searchers (1956) is the great epic of American film, and The Man Who Shot...
Director Andrew V. McLaglen seems to have made the movie while his mind was on something else-probably quitting time. Katharine Ross, Dustin Hoffman's sidekick in The Graduate, plays Duke's daughter with an understandable lack of enthusiam. A few more parts like this and she'll be about as well remembered as Vera Hruba Ralston...
...original, Victor McLaglen played the informer as a wounded bull. Mayfield portrays him as a dray horse, faithfully clopping to the fadeout. The Informer was consistently Irish. If Up Tight's cast is Negro, the script is in straight blackface, with such lines as "Nonviolence is a self-defeating mother." Its bogus climaxes are reminiscent of the '30s' group-theater lyricism, as when Tank wails at a smeltery, "You noisy beautiful bastard, remember me?", or when he roars, "The city is killing me ... it's killing both of us." Because Up Tight was filmed...
...fact, time proved them right, but Director Andrew McLaglen (son of Victor) uses the bare bones of history mostly to flavor his yarn. Even human mating instincts operate almost exclusively in relation to the bull. One eager beefer corners Maureen behind a candlelit table for two, panting, "Run out on me now, and your bull will wind up on that table tomorrow night...