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Diehard 2 picks up one year after the end of the original movie. Bruce Willis again slips effortlessly into the guns-and-guts tradition as John McLane, an off-duty Los Angeles cop (formerly from New York) who just wants to be left alone with his family...

Author: By Stephen J. Newman, | Title: 'Diehard 2': Still True to Its Gory-ful Mission | 7/6/1990 | See Source »

Skillful stage designs and clever direction enhance the production. Derek McLane's set, painted the green of The Captain's uniform, provides a fitting backdrop for the war of the sexes. Crossed swords over every doorway evoke the marital tension within, and in the second act, an oddly shaped drawing room suggests the Captain's growing emotional instability. Director Robert Brustein emphasizes the gladitorial nature of the conflicts, rarely placing more than two characters of opposite gender on the stage at any one time...

Author: By Adam E. Pachter, | Title: Dramatic Giants Strindberg and Shaw Meet at ART | 2/23/1990 | See Source »

...Kenyon Chapman '69, Robert Kessler '71, Rebecca Klatek, Jane Stein '71, Nathan L. Goldshlag '71, Mark R. Dyer '70-'72, Joshua Freeman '70, Katha Pollitt '71, James H.Barton '58, Katherine K. Christoffel '69, Naomi A. Schapiro '71, Tom Christoffel (HLS '70), Ken Barnes '70, Judy Lieberman '69, Susan B. McLane '71, Judy L. Harrison, Peter S. wiss, Keith Nelson '65, Judith Larzelere, Kenneth Kronenberg, James klein '71, Paul Robins '70, Norman Daniels '71, Robert Krim '70, Samuel Baker '69, Jared Israel '65-'67, Miles Rapoport '71, John C. Berg (GSAS '75), Milton Kotelchuck (GSAS '72), Bruce C. Allen...

Author: NO WRITER ATTRIBUTED | Title: An Open Letter From the Student Strikers of 1969 | 4/11/1989 | See Source »

...capella also "allows a singer to use a lot of different performing qualities," says Maureen N. McLane '89, a member of the co-ed Opportunes and director of an informal singing troupe known as the Currier House Singing Rats. "It takes a lot of different talents. There are opportunities for backup singing, soloing, dramatics and acting, and choreographed moves. It's an entirely different dynamic...

Author: By Christopher G. Azzoli, | Title: Harvard's Vaudeville: Groups Hit High Note | 4/21/1988 | See Source »

While competition among the groups for singers isn't intense, some of the new groups are eager to distinguish themselves from their older peers. Several, including McLane's Singing Rats who started out as a band of Christmas carollers, bill themselves...

Author: By Christopher G. Azzoli, | Title: Harvard's Vaudeville: Groups Hit High Note | 4/21/1988 | See Source »

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