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Word: mcmann (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...brilliant play of Harvard Co-Captains Manda Schossberger and Carolyn Burger was neutralized by the efforts of Holy Cross juniors Shannon McMann, Jennifer Woozniak and Maura Sullivan. The Crusaders used their superior size and strength, making it difficult for the Crimson to convert on its attack strategies...

Author: NO WRITER ATTRIBUTED | Title: W. Spikers Upended By Holy Cross; Have Problems With New Setters | 9/25/1989 | See Source »

They obviously overlooked something. Outside St. Patrick's last Wednesday night, the 6-ft. 5-in. Delgado stripped off his clothes, entered the soaring Manhattan landmark and began to strike worshipers. Police officer James McMann, 50, radioed for help before Delgado knocked him out with a wrought- iron prayer stand and then struck and killed usher John Winters, 77. Lunging at one of three newly arrived policemen, he was shot dead. Afterward, John Cardinal O'Connor recalled that he had touched and blessed Delgado when he noticed the man looked disturbed at Mass that morning. In a city where tens...

Author: /time Magazine | Title: New York City: Murder in the Cathedral | 10/3/1988 | See Source »

From this point on, the movie veers dangerously near the plot of Romancing the Stone. She meets the son of the author of the Rebecca Ryan novels, Adam McMann (Tom Conti). He thinks she's a put-on or a practical joke. She thinks he is her fictional right-hand man Dimitri. Doubts begin springing up in McMann's mind after he and Ryan/Palmer are sniped at few times by an unknown assassin. The imitation pulp heroine thinks it's all part of a plot involving a prominent French politician (Giancarlo Grannini), who would just as soon have nothing...

Author: By Cyrus M. Sanai, | Title: We'll Always Have Paris... | 10/27/1984 | See Source »

Confusion is heaped upon confusion as McMann vainly attempts to separate the deadly reality from the crazy fantasies of Palmer, but with no real success. Conti, with the theatrical-magic he brought to Reuben, Reuben and The Norman Chronicles, transforms the whiny, irresolute McMann he found in the script into a sexy and sympathetic British playboy. With a perfectly raised eyebrow and a fatalistic shrug, Conti is Man confronted with the inexplicable essence of uninhibited feminity. Conti is God's gift to romantic comedy, an Italo-British Cary Grant who consistently surpasses every superlative piled on his previous performances...

Author: By Cyrus M. Sanai, | Title: We'll Always Have Paris... | 10/27/1984 | See Source »

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