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There is a plenty of appreciative laughter this week at Manhattan's Hickory House, where Pianist Marian McPartland and her trio toss their sizzling ideas back & forth on a raised platform in the center of a big oval bar. Thirty-five-year-old Marian, long, lean and suntanned, sits at the baby grand with an inward look in her eyes as her fingers ripple easily over the keyboard. Behind her are her solid sidemen, Bass Fiddler Bob Carter and Drummer Joe Morello, flicking out accompaniments. The result is some of the cleanest, most inventive "progressive" jazz to be heard...

Author: /time Magazine | Title: Music: Post-Dixieland Piano | 9/21/1953 | See Source »

Concert style comes easily to English-born Pianist McPartland. She studied harmony, counterpoint, violin and piano at London's famed Guildhall School of Music in her teens. But all the while she was listening to records of Jazz Pianists...

Author: /time Magazine | Title: Music: Post-Dixieland Piano | 9/21/1953 | See Source »

...Feel for the Beat. Eventually, Marian toured as an entertainer for ENSA, the British version of the USO, and then switched to the USO itself. She landed in Normandy soon after the first troops, and a few months later in Belgium met Dixieland Cornettist Jimmy McPartland, a private in the 2nd Division. They were married in Aachen, and two years later had their own Dixieland band in Chicago (TIME...

Author: /time Magazine | Title: Music: Post-Dixieland Piano | 9/21/1953 | See Source »

...sock out a solid Southern jump when she wants to, she prefers the subtler, post-Dixieland style which aims to "feel" the beat instead of landing on it with both feet. Two years ago she formed her own trio, has been touring and .recording (for Savoy) ever since. Pianist McPartland loves it as much as her doting sidewalk superintendents. Her contented sum-up: "It's just not work...

Author: /time Magazine | Title: Music: Post-Dixieland Piano | 9/21/1953 | See Source »

...Cool (the bands of Jimmy McPartland and Dizzie Gillespie; M-G-M album). Four tunes played in strenuous alternation by Trumpeter McPartland's hot Dixielanders and Gillespie's bopsters. The predictable upshot: the cool school does best with the harmonic complexities of How High the Moon, the Dixielanders with the basic chords of Indiana. But both manage to give the oldtime Muskrat Ramble a fine bounce...

Author: /time Magazine | Title: Music: New Pop Records, Apr. 27, 1953 | 4/27/1953 | See Source »

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