Word: mcqueens
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...least they do, here, in their "Love The Future" album cover shoot . Wallach and Drummey sport real-deal designer digs like Prada, Alexander McQueen, Tom Ford, and Christian Dior...
...skilled in finding young actors and locating their emotional acuity. Mulligan directed Paul Newman in his second TV appearance (Suspense, 1952), and three years later in the Vidal TV play The Death of Billy the Kid, which Newman replayed on the big screen as The Left Handed Gun. Steve McQueen, Sidney Poitier, Walter Matthau, Rosemary Harris and George C. Scott did potent early TV work under his guiding hand. Scott made his Broadway debut in the only play Mulligan directed, the 1958 Comes a Day. He was no slouch with veterans either, winning an Emmy in 1960 for directing Laurence...
...always the means. In Love with the Proper Stranger (1964), Natalie Wood is an Italian Catholic shopgirl who becomes pregnant in the one-night-stand immaculate conceptions familiar in movies of the '60s (and today; see Knocked Up). But since she had the good fortune to be impregnated by McQueen, true love is assured. The plot is Hollywood hokum with a patina of New Yawk grit, but Mulligan was always an ace at revealing the subtle starlight behind the Kleig lights...
...Once Mulligan and Pakula found a congenial performer, they wanted to do it again. They reunited with McQueen for a Horton Foote drama, Baby the Rain Must Fall (1965), about an ex-con singer who has problems staying out of criminal or domestic trouble. And in Inside Daisy Clover (1966), Wood is a thornier soul: a '30s waif who becomes a movie star. (The young man in her grim life was played by Robert Redford, again at the beginning of a big career...
...camera and a degree in psychology from UCLA, Bill was often hired to work with difficult subjects and was known for coming away with memorable shots and an intact reputation. His pictures allowed viewers an intimate window into typically guarded personalities such as Marlene Dietrich, Chet Baker and Steve McQueen...