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...item for wealthy Italians like Gianni Agnelli and Roberto Rossellini and European royalty such as Baron de Rothschild and the Aga Khan. After Hollywood gave it a starring role in The Thomas Crown Affair in 1968, a legion of iconic owners, including Dean Martin, Elvis Presley and Steve McQueen, followed...

Author: /time Magazine | Title: Italian Stallion | 10/6/2008 | See Source »

...become the ultimate status symbol, drawing collectors as diverse as Prince Bernhard of Holland (who owned 14), Eric Clapton (8) and Ralph Lauren (13). In the past 10 years, the Ferrari has won more Formula One races than any other car?which has created record prices in recent sales. McQueen's 1963 Ferrari Berlinetta Lusso went for $2.31 million and James Coburn's 1961 Ferrari California Spyder sold for a whopping $11.4 million. "It's the price you pay," says Ferrari historian Michael Sheehan, "for tradition and cutting-edge styling that is available to only a select...

Author: /time Magazine | Title: Italian Stallion | 10/6/2008 | See Source »

...loved the idea that people could stand in his place and be photographed beside two great athletes. He would also agree that Smith and Carlos had done more than enough for civil rights and had spent most of their lives suffering the consequences of their brave actions. Alison McQueen, Christchurch, New Zealand...

Author: /time Magazine | Title: Inbox | 8/7/2008 | See Source »

...always and only about men behaving at an IQ and/or age level far below expectations; that movie courtship is a process of stumbling into sex, not the suave negotiation of seduction; and that, after decades when Hollywood offered the likes of Clark Gable, Cary Grant and Steve McQueen were the emblems of masculinity, it now proposes the mentally and emotionally challenged oaf as dreamboat. What woman could look at Ferrell in this scene without salivating, and thinking, "I want to be his snare drum...

Author: /time Magazine | Title: Step Brothers: "Oh, Grow Up!" "Never!" | 7/24/2008 | See Source »

...film on Northern Ireland's Troubles that is sympathetic to its English occupiers, or an Israeli film hostile to the Palestinians. This year, Hunger, the story of IRA leader Bobby Sands' fatal hunger strike in 1981, won the Camera d'Or (debut film) prize for Afro-Irish director Steve McQueen; and Waltz With Bashir, an animated documentary about Israeli filmmaker Ari Folman's sense of guilt over the Sabra and Shatila massacres of Palestinian refugees in 1982, was one of the critical favorites in the main competition, though Penn's jury gave it no award...

Author: /time Magazine | Title: It's a Wrap at Cannes | 5/29/2008 | See Source »

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