Word: mcshane
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This four-part Masterpiece Theater series captures some of that elusive charm and appeal. It begins just after the young Disraeli (Ian McShane) has returned from an extended trip through the Middle East. His fiction has made him a celebrity, and he is pursued by the hostesses of society as ardently as he is by his creditors. The women win out and, as they were to do throughout his life, inspire and uplift him. To escape the moneylenders, however, he marries a rich widow twelve years his senior-and immediately falls in love with her. Often silly and foolish...
...kind of story that Disraeli the novelist could have written, and perhaps in his own way did. In this version it seems curiously bloodless, however. The women, particularly Peach and Leach, are splendid, and McShane is adequate. The problem is with the producers: there is too much story packed into too little time. One second Disraeli is out of office; the next second he is in-and then out again. Disraeli is dizzying indeed. The confusion has been added to by the show's American editors, who have cut approximately half an hour from the four episodes...
...market, which by some estimates totaled a robust $5 billion in the U.S. last year. Increasingly, people are buying art works as hedges against inflation and a weakening dollar. Art prices have risen to levels that even the least cultured brigand can appreciate. Says FBI Art Thefts Investigator Thomas McShane: "Thieves read about these prices and they realize they can cut themselves in on some very valuable booty...
Enter Yorkshire TV, which decided that the case perfectly suited the network's goal of creating "socially committed documentaries that illuminate dark areas of our society." The producers persuaded McShane to tell her side of the story on camera. "My mother's been threatening to commit suicide for about 40 years," she explained. "It's a fantasy of hers." The lethal pills, she said, were a sort of "security" for her mother. As it happened, Mrs. Mott died of natural causes two weeks ago, ten days before the TV documentary went...
...Michael Ratcliffe: "Suicide, euthanasia, privacy and surveillance: rarely can there have been a broadcast in which so many time bombs of universal interest were ticking away The Independent Broadcasting Authority [Britain's commercial TV watchdog] would have been irresponsible if it had prevented The Case of Yolande McShane from being shown. In the public interest...