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...artificial, documentary nature of the proceedings actually makes for some of the film's most precious moments. Pianist Jay McShann grins and mimics a journalist's banal patter: "Joe Turner, you know that you are a Kansas City figure. You're a backbone of Kansas City, so tell us something about yourself." Later, Basie sits down at the foundation's scarred piano and improvises a few bars of two-fisted stride, then looks up, deadpan, at the camera: "That...

Author: By Paul Davison, | Title: Kansas City Lovin' | 4/12/1980 | See Source »

...film's contribution to jazz mythology will be modest. Eddie Durham tells of how Basie's "One O'Clock Jump" was renamed when radio censors vetoed the original title, "Blue Balls." McShann provides yet another anecdote about how Parker came to be called Yardbird. Ricker's 24 hours of rough footage doubtless contained many more interesting stories, but as a movie, not an oral history project, the film's wonderful sense of pace easily offsets an occasional choppiness in cutting from one bull session to another...

Author: By Paul Davison, | Title: Kansas City Lovin' | 4/12/1980 | See Source »

...Public Office. In Oakland, Calif., after they found $500 worth of heroin in his car, cops locked up Dope-Peddling Suspect Robert McShann despite his plea: "You gotta let me out of here or there'll be panic in the streets. I was just making deliveries...

Author: /time Magazine | Title: Miscellany, Dec. 24, 1956 | 12/24/1956 | See Source »

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