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Dear Robert Pattinson fans: Allen Coulter’s “Remember Me?? will probably disappoint you. The film is kind of a love story, yes, and Robert Pattinson is as delicious as ever. However, this film is mostly just brooding and grim, threaded with tension but marred by pretension. Ultimately, the poignant scenes scattered throughout cannot salvage the film’s disjointed nature and inconsistent pacing...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

...Remember Me?? drips with melodrama. There is simply too much of the “poor rich boy” sentiment that reeks of a poorly executed homage to Salinger. At one point in the film, Aidan even accuses Tyler of being “nihilistic,” which is surprisingly accurate. The film’s “carpe diem” message is lost in its saturation of emotional fits and Tyler’s fixation on his brother’s suicide. Even the central theme is not entirely supported as the film?...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

...Remember Me?? doesn’t need its title to implore you to remember it; there are enough moments in the film that do it justice. Nevertheless, this is a film that is eventful but never gripping, emotional but rarely compelling. Though the Twi-hards will definitely catch it in theaters, for the rest the film-going audience, the twist at the end may or may not just be worth a matinee ticket...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

...about a character who was very different from me,” he said. The main character, Cal, has a genetic mutation and is intersex. “I had to find connections to my own life to make him seem credible so I invested Cal with details about me??he grew up in Detroit where I grew up and was born the year I was born. I needed an autobiographical ground to build this fictional narrative...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Eugenides Dispenses Advice to Aspiring Writers at Advocate | 3/9/2010 | See Source »

...Fascist Tosca is any more moving or convincing than the one driven by love alone is an odd and ultimately speculative judgment to make, like parsing the merits of a “Turandot” set during the Cultural Revolution, or a “La Bohème?? in Vichy Paris. But LHO’s reinterpretation of this particular opera in the context of totalitarianism does bring out an aspect of the work that a production more focused on the stormy individualism of Tosca and Scarpia often overlooks: the notion of freedom as something that...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

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