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...think about it as being a little adolescent. Of course, we want to be free on some level from institutional constraints and not only institutional but social determination. Art is a space of freedom where you can invent yourself and the world. [But] artists can’t invent meaning themselves. What works come to mean and how they exist in the marketplace and history is external to our control. That for me was the radical recognition now associated with institutional critique. If one thinks of this in this manner, it can go two ways. One was even more...
...It’s been my official ideology for a long time that there are no wrong interpretations. As artists, we put a lot in store in our own intentions. We intend our works to mean some things, and that’s what we want the viewer to get and understand. What an artwork means broadly in society as a particular kind of cultural object is first of all overwhelmingly defined by the fact that the artwork exists and is recognized as being a work...
...boisterous and comical. She portrayed extreme change with grace. At the play’s beginning, she is a loud member of a woman’s collective in Montana. By the end, she is one more discouraging force in Heidi’s life. “I mean, equal rights is one thing, equal pay is one thing, but blaming everything on being a woman is just passé,” she says at one point...
Absurd it most definitely is, and attempting to figure out exactly what it’s supposed to mean is liable to result in a throbbing headache and not much more. But the play succeeds by not taking itself too seriously—the play-within-a-play format allows the cast to repeatedly break the fourth wall, and they offer a touch of self-conscious humor that avoids any potential frustration with the production’s opaqueness. Maupassant (Philip Y. Gingerich ’13), installed among the audience members, occasionally cheers on, shouts at, and has conversations...
...ruthlessly as colonists once dumped tea into Boston Harbor. The expression was coined by no less a person than Winston Churchill in 1946 to describe the intricate skeins of mutual interest, cultural heritage and sometimes gloopy sentiment that bind Washington and London. Globalization and "shifts in geopolitical power" mean that both countries are inevitably forming new and deep alliances with other players, and talk of a "special relationship" is increasingly misleading, says the report. "The overuse of the phrase by some politicians and many in the media serves simultaneously to devalue its meaning and to raise unrealistic expectations about...