Word: meaningfully
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Dates: during 1960-1969
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What originally attracted Godard to American movies was their dramatic and visual design. They were narrative dramas of personal experience and development in which the characters expressed whatever the film's makers wanted to say. The physical and spiritual effect of events on the characters was the means of describing...
Godard's particular fondness for the films of Nicholas Ray indicates a concern for modern settings in which the characters hold an insecure place. As Godard's or Ray's films proceed, their characters discover more and more about their settings, which are colored by their perceptions--yet finally stand...
Godard further made the subject of each film work as its method. Thus Pierrot le Fou is a romance (subject) realized in flowing colors, soaring music, and a hero whose journey through this setting is the motive and organizing force of the drama (method). Individual alienation becomes the method of...
Bourgeois society, having destroyed their sensibilities, must also be blamed for destroying a cinema whose method and meaning depended on those sensibilities. The violent attacks on the audience through presenting raw events, the meaninglessness of characters' actions, the blatant anti-capitalist propoganda of Weekend do not show Godard committing cinematic...
The press room is about evenly occupies by journalists with Western faces and those with Asian features. One man talks with a southern drawl and another writes in Chinese characters. There reporters go through the statements. They try to wring meaning out of the propaganda-filled speeches ---try to evaluate...