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Word: means (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...What does it mean to be a woman?” asks University of North Carolina professor Robert C. Allen, recounting the questions of gender that faced 19th century America. “What’s the nature of femininity...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

...further in identity, culture, and success from its predecessor, the reality of the collective tragedy that culminates in Cal/Calliope’s gender dysphoria is unavoidable. “But in the end it wasn’t up to me. The big things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we’re born,” he remarks...

Author: By Kristie T. La, CONTRIBUTING WRITER | Title: Eugenides’ Transitive Epic | 11/20/2009 | See Source »

...melancholic tension of “Waiting,” for example, comes through in some persistent guitar chords and a little tinkling on the piano. Jones’ signature hum returns, too, as she thinks to herself: “If I wait, it doesn’t mean you will return.” “December,” too, radiates warmth like a Christmas carol; Jones’ comforting humanity radiates through the song in her more earthen style...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: Norah Jones | 11/20/2009 | See Source »

...context that he provides. The decision to eat meat is central, though perhaps more banal, in a way that other moral dilemmas are not. As Foer notes, culture is expressed in eating practices, and to change what we eat is to fundamentally change our identity. But change can also mean progress, and although diehard carnivores looking for reasons not to give up meat will find holes in Foer’s argument, it is more compelling and accessible than most arguments for vegetarianism. Even those who choose not to change their eating habits will come away from the book thinking...

Author: By Abigail B. Lind, CONTRIBUTING WRITER | Title: A Silent Suffering of ‘Animals’ | 11/20/2009 | See Source »

...aggression of TCV’s music does not mean that the album lacks its accessible moments. The album front-loads its two catchiest songs immediately after the opener. “Mind Eraser, No Chaser” features vocals by both Grohl and Homme, although this serves only to reiterate the superiority of the latter. Grohl’s over-enthusiastic and humorless singing pales by comparison with Homme’s sophisticated sneer, and fortunately most of the album sees Grohl consigned to his natural place, behind the drum kit, providing successfully muscular, if surpisingly understated, beats...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Them Crooked Vultures | 11/20/2009 | See Source »

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