Word: meats
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Dates: during 1910-1919
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...rider was attached, for the bean is sacred in our midst, and what the salt is to the egg or the yeast to the bread, the pork is to the bean. Whether the tinge of pork in reality adds to the luscious flavor of the bean, or whether the meat is merely a psychological asset, is an open question, and one that has baffled many scientists...
...sparing of food supplies for Italy, France and England, is the only effective means that we have at this moment of fighting the common enemy. In treating as an enemy the man who has under his command this little fight of ours with wheat and corn and meat and sugar, the senators are in simple fact weakening our allies and helping the Germans. What will the people do and think about that? We believe that they will rally heartily to Mr. Hoover's support, and that the attack upon him will serve to strengthen his hands. --Boston Transcript...
...would be an incomplete compliment to call the Illustrated's photographers Arguses. They have more than the giant's quota of one hundred eyes when it is incumbent on them to take a photograph. They have a nice journalistic sense in picking out the meat of the thing to be photographed; they see everything and see it discriminately. Thus do the pictures in "Harvard's most progressive paper" become timely...
...theatres. It is no longer a moot question whether they are desirable, for they have been proved conclusively to represent a form of dramatic relaxation--relaxation to the extent of putting a public which has witnessed a few of these into a receptive mind for plays with more mental meat in them. Truly a good influence. "Mary's Ankle," which is now on exhibition at Ye Wilbur Theatre is just that type of play. It takes not one ounce of brains to appreciate it and thus will make a big appeal to those wearied by examinations and to the poor...
Because the gentle, meek tailor, Androcles, has drawn the thorn from the lion's paw in the jungle, said beast refuses to devour said tailor in the arena. That is the core of the entertainment. The meat is found in the incidentals, which are mainly dialogue. Shaw cares no more for our emotions than for the play, as such, so why should we take it with a long face and call it 'daring dialogue." Nothing of the sort. It is a colossal toying with one fanciful idea after another. Think of a lion out-roaring a Caesar