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With the score tied 1-1 in the top of the ninth, Dorwart easily retired the first two batters, but yielded a triple to left-fielder Bill Medea. The Eagles then brought in pinch-hitter Mike Whitney and Coach Loyal Park decided to walk Whitney to get to second-string catcher Rich McGlauglin...

Author: NO WRITER ATTRIBUTED | Title: Two Runs In Ninth Inning Save Victory Over Eagles | 4/16/1969 | See Source »

After one pitch to McGlauglin, Whitney sped toward second before Dorwart had even started his motion. Dorwart quickly fired to second baseman John Ballantyne, but Whitney stopped, forcing Ballantyne to run him down while Medea broke for home. Ballantyne threw home to catcher Jack Turco, and the umpire ruled Medea safe in a close call...

Author: NO WRITER ATTRIBUTED | Title: Two Runs In Ninth Inning Save Victory Over Eagles | 4/16/1969 | See Source »

...MEDEA (London: 3 LPs). Despite its powerful theme-the myth of the murdering mother-this 'opera has been infrequently performed since its composition 171 years ago. One reason is Cherubini's static, pedantic score. Another is the sadistic vocal demands of Medea, the lead role. In this album Gwyneth Jones lamentably fails to match her magnificent voice to the emotional exigencies of Medea, and Lamberto Gardelli's conducting is scandalously lethargic. The Callas version of Medea, released by Mercury in 1958, is an infinitely better listener's choice...

Author: /time Magazine | Title: Television: Dec. 20, 1968 | 12/20/1968 | See Source »

...Oedipus. Claudel turned to Proteus, and did a version of Aeschylus' entire Orestes trilogy. Giraudoux turned to Amphitryon, Electra, and the Trojan War, while Sartre refashioned the Oresteia in his Les Mouches. As part of this movement, then, Anouilh wrote not only Antigone, but plays about Eurydice and Medea...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

...best thing about this musical distillation of it, delivering five of the songs written by Manos Hadjidakis with lyrics by Joe Darion. Amidst the jingly rhythms of the Greek taverna, Melina's breathy bedroom voice stirs a sensuous mood in Piraeus, My Love, is slyly wistful in the Medea Tango as she sings her own version of the myth, and as joyous as ever in her theme song, Never on Sunday...

Author: /time Magazine | Title: Television: Jun. 16, 1967 | 6/16/1967 | See Source »

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