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...must pay to buy us some man's love," mourned Euripides' lovesick Medea almost 2,500 years ago. In the centuries since, many another nubile Greek girl, along with her father, has complained of this state of things; in Greece an adequate dowry is a far more important prerequisite to marriage than a pretty face. In Salonika a weary housemaid recently made the trip to the altar after having scratched for seven long years to raise the $500 demanded as a marriage settlement. A shepherd from the slopes of Mt. Olympus turned his true love down cold when...

Author: /time Magazine | Title: GREECE: Say It with Money | 1/24/1955 | See Source »

...grandpa's seven granddaughters (Athena, Minerva. Niobe, Aphrodite, Calliope, Medea and Ceres) run a yoghurt, blackstrap and spinach-juice store, and after hours they take their eurythmics in the grove. Grandpa is delighted to meet Adam ("I liked the look of your sartorius muscle as soon as I saw you"), and invites him to a meal of peanutburgers. That night Athena sends Adam home with tokens of her love: a bag of raw vegetables and a bar bell...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 22, 1954 | 11/22/1954 | See Source »

Conductor Leonard Bernstein was in a swivet. Traveling in Italy, he had agreed to conduct a regular performance of Milan's proud La Scala opera, a thing which no American had ever done before. He had five days in which to learn the score-Luigi Cherubini's Medea-but he had never conducted grand opera in his life and never even heard of Cherubini's Medea. To make things worse, he had a case of bronchitis. Finally, the score with which he had to work dated from 1797, and, like most old books, it gave off dust...

Author: /time Magazine | Title: Music: Lennie at La Scala | 12/21/1953 | See Source »

...handsome Blanche Thebom, 35, spends more of her time making personal appearances than on the Met stage (36 concerts and recitals this season). Unlike most of them, she is always on the lookout for a distinctive score. Two years ago, she met Composer Krenek and suggested to him that Medea was an ideal subject for the dark tones of the mezzo-soprano voice...

Author: /time Magazine | Title: Music: Thoughtful Mezzo | 3/23/1953 | See Source »

...This time she was in on composition's ground floor. She corresponded steadily with Krenek, working over many details of vocal usage. In general, the Thebom-Krenek collaboration put lyrical passages in the low range, declamatory ones in the middle and dramatic outbursts up high. Now she thinks Medea sings as well as any concert work she knows...

Author: /time Magazine | Title: Music: Thoughtful Mezzo | 3/23/1953 | See Source »

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