Word: medicis
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...every serious patron in Italy and half the military leaders and crowned heads of Europe. The roster of his clients and portrait subjects reads like a list of international society in the 16th century: the Duke and Duchess of Urbino, Alfonso d'Este, Duke Federigo of Mantua, Ippolito de' Medici, several ancient and cunning Popes, doges, admirals, art dealers, intellectuals. Even those who were deadly enemies, like Francis I of France and the Holy Roman Emperor Charles V, had in common the fact of having been painted by Titian. The story of Charles V picking up a brush that Titian...
...acre Hyde Park, N.Y., campus of the Culinary Institute of America, known in food circles as "the other C.I.A.," the school runs four different restaurants. The 1,850 students learn regional U.S. dishes for the American Bounty Kitchen, Italian fare for the Caterina de Medici restaurant and health- conscious dinners for St. Andrew's Cafe...
Piazza della Signoria is in a state of upheaval these days. The piazza that has been the center of Florentine life since before Medici times, the space chosen by Michelangelo for his exquisite statue David, has been ripped up and fenced in. The current David, a copy, stands forlornly in front of a partially scaffolded Palazzo Vecchio. Cosimo I, the young Medici ruler who sits mid- square atop his bronze horse, gazes down on an ugly, corrugated plastic roof covering a third of the square...
...Versailles) as he points to the hand-carved marble columns and the walls lined in Italian gold onyx and the ceiling moldings of 23-karat gold. When his eyes rise to that ceiling, where various mythological heroes have been painted "in the Michelangelo style," Trump feels himself a Medici. "If this were on the ceiling of the Sistine Chapel," he says, "it would be very much in place in terms of quality. This is really what you call talent, more talent than the schmucks who go around throwing paint on the canvas...
When the saber-toothed chieftains of American capitalism wanted models of political or cultural patronage, it was to Lorenzo de' Medici, prototype of city bosses, that they turned. Siena seemed less Promethean, less inventive. Its great moment in painting, by common consent, had come in the late 13th and 14th centuries, with the work of Duccio, Simone Martini and the Lorenzetti brothers. Then social and economic catastrophe struck in 1348, when the Black Death wiped out more than half its population. While it is true that Sienese painting and sculpture for the next 150 years did not have the extraordinary...