Word: mediterraneans
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Dates: during 2000-2009
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...Gibraltarians, though, there's little to sort out. They're British. A typical family living on this outcrop of pine-dotted rock at the mouth of the Mediterranean may have roots in Ireland, Italy, Malta, Morocco and, yes, Spain. But a stroll down Main Street shows that the biggest cultural influence has been Britain. Letters go into mailboxes - no, postboxes - marked with the Queen's monogram. Conversations, though in the vernacular Spanglish, are peppered with Briticisms like "bloke" and a car's "boot." And tea-time at the Rock Hotel means fresh scones and cucumber sandwiches with the crusts...
...Rock to protest talks taking place between London and Madrid on the future of the last colony in Europe. Gibraltarians are fiercely loyal to Britain and are fearful that the mother country is about to agree joint sovereignty with Spain over the rock that guards the entrance to the Mediterranean. The Chief Minister, Peter Caruana, told the Union flag-waving crowd, "Gibraltar is not Britain's to give away, nor is it Spain's to take. It is ours...
...resolution explained, the definite article was deliberately omitted. Why? To permit Israel to withdraw to defensible borders. The 1967 lines are inherently indefensible. They would make central Israel eight miles wide. Eight miles between, say, the massed tank armies of Iraq and Syria to Israel's front and the Mediterranean Sea to its back. This is suicide. Nor, contrary to Abdullah's formula, is Israel going to give up Judaism's holiest shrine (the Western Wall) and Old Jerusalem, continuously inhabited by Jews for centuries until expelled by the Jordanians...
...testament to his sophisticated innovation and, more specifically, a stunning culmination of his continuous love of antiquity and his obsession of sorts with the making of boats. Born in Virginia in 1928, Twombly soon immersed himself in the rich histories, particularly in themes of warfare, of the Mediterranean cultures in his 1957 move to Italy...
...seem beautifully rendered but fringed with banality into real, unforced poetry. Take, for instance, Central Park Looking North, 1967. A chilly, wet day in New York, seen through a metal casement window. An antique statue of a faun on the sill, far in space and temperature from his native Mediterranean. And high on the brick wall of the apartment building to the left, a pink patch: a ray of sun breaking through winter's grisaille. Surely Koch had been thinking of the "little patch of yellow wall" in Vermeer's View of Delft, the last thing Proust's connoisseur Bergotte...