Word: mediums
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Dates: during 1960-1969
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...MEDIUM COOL is dynamite. A loose narrative about a TV cameraman during last summer's Chicago convention, Cool is the most impassioned and impressive film so far this year. Haskell Wexler makes a dazzling directorial debut by fusing dramatic and documentary footage into a vivid portrait of a nation in conflict...
...sign of Pike himself. Eventually, a total of 100 Israeli border policemen, a helicopter and a Piper Cub joined in the search. Assuming that Pike would have sought refuge from the sun, the searchers peered into countless caves along the canyon walls. Philadelphia Seer Arthur Ford, the medium through whom Pike once claimed he had contacted his dead son, called Diane Pike in Jerusalem to tell her he had a vision of her husband, "alive but sick," in a cave not far from where she had left him. But the police insisted that they had already searched all the caves...
...MEDIUM COOL is dynamite. A loose narrative about a TV cameraman during last summer's Chicago convention, Cool is the most impassioned and impressive film released so far this year. Cinematographer Haskell Wexler makes a dazzling directorial debut by fusing dramatic and documentary footage into a vivid portrait of a nation in conflict with itself...
...love affair between a TV cameraman (Robert Forster) and an Appalachian widow (Verna Bloom), but gains meaning and resonance from the documentary footage surrounding it. The results of this apparently free-form exercise may puzzle some moviegoers and its political sympathies will outrage many more. But the basis of Medium Cool is more than solid enough to support as impassioned and impressive a film as any released so far this year...
Mechanics of Illusion. Throughout Medium Cool, Wexler makes his presence known behind the camera. In what must stand as one of the most gripping sequences in modern film making, the Illinois National Guard fire tear gas at a group of terrified youngsters while one of Wexler's assistants is heard to scream off-camera: "Watch out, Haskell, it's real!" Still, Wexler's dramatic attempts to reconcile personal and public crises lead him occasionally to overload his film. The romance never quite has the passion and urgency that it should, and the novice director's infatuation...