Word: mediums
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Dates: during 1970-1979
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...comfort. Three of the smaller members-The Netherlands, Belgium and Denmark-expressed a variety of objections to the new weapons. Nonetheless, U.S. Secretary of State Cyrus Vance spoke bravely of "consensus," and declared that NATO had given Washington a "solid foundation" for proceeding with the development of the medium-range missiles...
...basic decision was to develop and deploy 572 U.S.-made Pershing II and cruise missiles in at least three and possibly five countries of Western Europe. The scheme is designed as a counterforce to the Soviet Union's 50 Back-fire bombers and as many as 150 medium-range SS-20 missiles facing Western Europe. The NATO missiles, to be built over the next three years at a cost of $5 billion to the U.S., will be based in Western Europe but manned by American servicemen, thereby tying the U.S. inextricably to Western Europe's defense, but also...
...Cambodia's International Aid Relief Program: "We disregard ideological considerations when it comes to assistance. We will gladly take it from any country. Rice and medicines are the main priorities, but the emphasis is on rice." Since the Khmer Rouge abolished currency, rice has become the only medium of exchange. One kilo fetches a kilo of fish; two kilos are worth a chicken...
...Journalistic celebrity, except for actors and the high-society whores delicately known as "les grandes horizontals," was something to shun at all costs. It was the portrait that condensed fame and status, and to do so it needed to be painted by one of the lions of the medium, those astonishingly facile and brisk painters who plied their trade in the upper reaches of a society through which they moved on almost equal terms with their clients-Paul-César Helleu, Jacques-Émile Blanche, Anders Zorn. In England and America, the most successful of all these virtuosos...
Director Robert Benton recalls her work that day on the set with amazement: "We must have shot that scene from seven in the morning until six at night, over and over again. First in closeup, then a medium shot, finally a long one. Later in the day, we shot only Dustin reacting to her on the stand. During this last take, all 30 people in the room were facing Dustin. I happened to be watching Meryl, as well. She had the same intensity as she had when she first did the scene...