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...Bresson may be to cinema what Poussin is to painting: an undeniable master whose supremely reserved style, while not easy to warm to, must be reckoned with by anybody seriously interested in the medium. Yet his work feels most like that of his beloved Cezanne, something like the last word in modernism. He's often paired with Dreyer because of their shared taste for visual and narrative austerity and because of the book Transcendental Style in Film; Ozu, Bresson, Dreyer, a seminal work of film scholarship by the screenwriter and director Paul Schrader...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...know Bresson's work, this 1959 film about a compulsive young criminal in Paris is the best place to start. Schrader appears on this disc to provide a new introduction to the film and to Bresson's demanding but ultimately captivating approach to the medium. The audio commentary is by the film scholar James Quandt, editor of the best single volume work on Bresson in English. In the way typical of Criterion, which regularly hunts through the archives of foreign television, the disc's producers have also tracked down a 1960 French TV interview with the elusive Bresson, as well...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...Could Aardman go to Hollywood without going Hollywood? The answer comes in Flushed Away, supervised by Lord and directed by David Bowers and Sam Fell. It's an entertaining comedy that vibrates with two kinds of tension: of antique artisans working in a new medium, and of English artists collaborating and colliding with American showmanship...

Author: /time Magazine | Title: From Clay to Computer | 11/3/2006 | See Source »

...perfectly acceptable, and perhaps desirable, for women to aspire to rail-thin figures. If the fashion industry really has any concern for its consumers, rather than simultaneously lying to us and advancing conformity to precarious celebrity trends, it should focus on encouraging American women to find a healthy, happy medium...

Author: By Ashton R. Lattimore | Title: Tiny is the New Black | 11/1/2006 | See Source »

That is to say, it will take a certain kind of political spot to utilize YouTube's force-multiplying power. Web video is like a pop single: an attention-getting hook is important. Fox's baring his frailty was particularly YouTube-friendly because the medium rewards authentic, vérité captured moments. (It also rewards shock and humor, which could favor outrageous ads.) A universal, direct message is key. (No dead languages, for instance.) Above all, even local admakers should remember that now they have a potential national audience a click away--one that can engage their ads by creating...

Author: /time Magazine | Title: Culture Complex: When Politics Goes Viral | 10/30/2006 | See Source »

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