Word: meer
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Dates: during 1960-1969
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Mistaken Identity. It was this quality of light that enabled Thoré-Bürger to bring recognition to Vermeer's art where others had failed. Long a victim of mistaken identity, Vermeer had been confused with Jan van der Meer of Utrecht; moreover, his paintings had often been attributed to a better-known Delft artist, Pieter de Hooch, who also painted immaculate Dutch interiors. But in the late 19th century, the French impressionists, seeking to present light through color rather than a painted effect, were astonished to discover Vermeer's virtuosity with the same technique two centuries...
...three madrigals were Thomas Morley's "Phyllis I fain would die now," Mein Schifflein lief in wilden Meer by Johann Schein, and the two-part madrigal Altri canti di Marte by Claudio Monteverdi. They were sung under the direction of Mr. Schmidt by the Chamber Chorus. The Chamber Chorus, which is made up of a small portion of the Summer School Chorus, produces an over-all sound which, while generally excellent, sometimes becomes a bit too rich and developed to permit the listener to savor the true flavor of this type of music. The actual interpretation of the music -- balancing...
...interviewing starlets-real, would-be and soiled-so often that a Mirror rule, which limited him to only one byline a day, has forced him to appear under such pseudonyms as Amos Coggins, Gabriel Prevor, Reg Ovington, Jaime Montdor (Spanish-French for Hymie Goldberg), Robert Benevy and Veigh S. Meer-a phonetic rendition of the Yiddish for "Woe is me." Goldberg rarely has trouble cornering subjects. "When they see me come, all fear vanishes," says he. "There is first my distinguished white hair. Then my baby-blue eyes. Also, most of them are bigger than I am." This disparity...