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Etching on the Eyeball. Those projects that do triumph come out of a real interaction with, not mere use of, industrial facilities. Boyd Mefferd's room (made with the help of Universal Television) is a stunning perceptual experience: a pitch-black chamber lined with strobe lights. When they flash, the effect is engulfing and somewhat unnerving: silhouettes etch themselves on the retina as on film, and afterimage sheets of brilliant color drift and flower across the entire field of vision. Mefferd's piece is unique in that it is wholly objectless art -everything happens...

Author: /time Magazine | Title: Art: Man and Machine | 6/28/1971 | See Source »

Harder to take was Robert Whitman's black-draped funeral fun house, hung with violently vibrating Mylar mirrors. A screaming oscillator sadistically shivered the viewers' eardrums as it shattered their reflections on the mirrors. Equally diabolical was Boyd Mefferd's mini-discotheque, where strobe lights flashed up through colored plastic panels in the floor with such seeming moderation that many of the younger spectators felt an irresistible urge to sit or lie down in order to get closer to the beams...

Author: /time Magazine | Title: Exhibitions: Transistorized Tunnel of Light | 6/7/1968 | See Source »

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