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Word: megalomaniacs (lookup in dictionary) (lookup stats)
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...announced for no fewer than three competing musical adaptations. The flurry of interest was perplexing. Leroux's tale, part horror melodrama, part bodice-ripping gothic, seemed too grim and kinky for a musical. The central character is, after all, not only hideously ugly but an extortionist, kidnaper, incendiary and megalomaniac -- and the heroine must at least halfway fall in love with...

Author: /time Magazine | Title: Theater: A Monster-Meets-Girl Romance the Phantom of the Opera | 10/27/1986 | See Source »

...Dancer, Richard Pryor, who is comedian Jo Jo Dancer, whom we know is in fact Richard Pryor, looks mortified. He stares in sheer horror at his multiple reflections in a three-way mirror. Perhaps, I thought, having just seen the credits roll across the screen, this is the megalomaniac horror of a man who produced, directed, co-wrote and starred in this self-indulgent movie...

Author: By Elizabeth L. Wurtzel, | Title: Richard Pryor, Your Story is Calling | 5/9/1986 | See Source »

...sessions while serving as a paratrooper in Algeria in 1957. A former friend and co-founder of the National Front, who split with Le Pen to head his own slate, has accused him of being driven by "racist obsession." Even his ex- wife warns that Le Pen is a megalomaniac. None of this seems to have diminished the appeal of Le Pen, who is expected to capture about 7% of the national vote...

Author: /time Magazine | Title: France the Leap in the Dark | 3/17/1986 | See Source »

...wrapped up in himself? Judging from what he did with his billions, Getty had little idea of the social responsibilty that vast wealth confers. In the American lore of the superrich, his place is just below William Randolph Hearst, the builder of San Simeon and another driven megalomaniac...

Author: /time Magazine | Title: Books: Hazards of the Midas Touch the Great Getty by Robert Lenzne | 3/17/1986 | See Source »

...part of a scenario for total theater, as imagined soon after the infinitely worse chaos of the First World War by a German collagist, poet and would-be dramaturge, Kurt Schwitters (1887-1948). The scenario casts a long shadow. Schwitters' ambition to assault all the senses with a megalomaniac collage of real things onstage is the middle term between Wagner and the plotless, junk-crammed happenings that were the talk of the New York art world in the early '60s. The more one sees of Schwitters, the more Robert Rauschenberg's and Jasper Johns' work in the '50s seems...

Author: /time Magazine | Title: Art: The Urban Poet | 9/9/1985 | See Source »

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