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KARMA COLA by Gita Mehta...

Author: /time Magazine | Title: Books: Transcendence, Incorporated | 12/24/1979 | See Source »

...Gita Mehta's witty documentary satire illustrates that the cost can be considerably higher. This is especially true for the thousands of Europeans and Americans who have flocked to the Indian subcontinent in search of enlightenment, cheap dope and, like the Californian who turned her sadhana into a course on "inner environments," opportunity. As reckoned by the Hindus and Gore Vidal, this dark, chaotic age of Kali seethes with confusions, corruption and misapprehension. Karma, for example, a rather severe concept of determinism, has been turned into a metaphysical jelly bean by hippies, shopping-center swamis and jet-lagged gurus...

Author: /time Magazine | Title: Books: Transcendence, Incorporated | 12/24/1979 | See Source »

...Mehta, 36, is an Indian-born, Cambridge-educated former teacher of Greek tragedy. She has clarifying things to say about those who think that life is a bed of roses and those who believe it is a bed of nails: "For us [Hindus], eternal life is death-not in the bosom of Jesus-but just death, no more being born again to endure life again to die again. Yet people come in ever-increasing numbers to India to be born again with the conviction that in their rebirth they will relearn to live. At the heart of all our celebrations...

Author: /time Magazine | Title: Books: Transcendence, Incorporated | 12/24/1979 | See Source »

Puccini: La Fanciulla del West (Soprano Carol Neblett, Tenor Placido Domingo, Baritone Sherrill Milnes; Chorus and Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, conductor; Deutsche Grammophon; 3 LPs). Fanciulla (1910) is a second-rate Italian opera comically posing as a shoot-'em-up thriller. Neblett makes a dramatic frontier heroine. Domingo, as her lover, sings everyone else under the bar, and Milnes is dashingly villainous. With Mehta in the saddle, chorus and orchestra ride smartly home...

Author: /time Magazine | Title: Music: Classic&Choice | 10/16/1978 | See Source »

Giulini and Mehta illustrate strikingly the contrasts in modern conductors: the older, painstakingly schooled musicians who served a long apprenticeship before emerging into public view at about the age of 40; and the young jet-age, learn-as-you-go conductors who have more commitments than time. The same contrast holds true among their recently appointed colleagues. The new faces...

Author: /time Magazine | Title: Music: Musical Chairs for the Maestros | 9/11/1978 | See Source »

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