Word: meiss
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Dates: during 1960-1969
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...Jerome [on this page and opposite] is no more like the finished fresco than the youthful Dorian Gray was like his aging portrait. The sinopia shows a handsome young man; the fresco, a gnarled and suffering ascetic. The difference is so striking that Princeton's Renaissance scholar Millard Meiss suggests that perhaps the sinopia was by a different artist...