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...Melinda J. Cohn Paris...

Author: /time Magazine | Title: Letters: Aug. 8, 1983 | 8/8/1983 | See Source »

...money for their education. What is the solution? "Oh, what the heck, we won't have a war--it's only registration. Just register, there are too many problems you'll have to deal with if you don't." This is the attitude that prevails. My own parents said, "Melinda, we cannot throw away potentially thousands of dollars of aid for your education. Fine, write a letter along with the statement, but just sign the statement. There is no way around it." No way around it? No way around the fact that young men are required to say that they...

Author: NO WRITER ATTRIBUTED | Title: The Draft | 8/5/1983 | See Source »

...reality of the situation, but where can we start to change that reality? With the statement of registration compliance, we are only extending the chain of interconnected regulations which are helping to put the Selective Service, and the war that it anticipates, into the very soul of our country. Melinda Beth Daetsch...

Author: NO WRITER ATTRIBUTED | Title: The Draft | 8/5/1983 | See Source »

Poor acting and stage directions are occasionally forgotten because of the extreme humor of the dialogue. But the actual women in The Importance of Being Earnest, Riggs and Worthing's "excessively pretty 18-year-old ward" Cecily Cardew (Melinda McNavy), act like two adolescents in love for the first time. After Cardew leaves Algernon, whom she has just met, she says deridingly that "a momentary separation from someone to whom one has just been introduced is almost unbearable." But their costumes are distasteful and their overly innocent manners crush Wilde's lines to triteness...

Author: By Andrea Fastenberg, | Title: Much Too Wilde | 4/27/1983 | See Source »

...driving force behind the conspiracy to kill Caesar, looks properly "lean and hungry." More than in many productions of Shakespeare, thought is given to differentiating the subordinate female characters; Brutus's wife Portia (Crystal Miller) is tiny, delicate-looking, with a voice of steel, while the more ineffectual Calpurnia (Melinda McCrary) has a habit of turning back and forth to the various characters on stage, as if entreating them to listen to her. And when Caesar's ghost walks across the stage to warn Brutus of impending doom--an effect which, like the ghost scene in Hamlet, tends to inspire...

Author: By Amy E. Schwartz, | Title: Pure Will | 4/15/1983 | See Source »

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