Word: melindas
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Sure enough, Daisy turns out to be the reincarnation of one Melinda Moncrief, the daughter of an 18th century parvenu. Soon we have flashed back to the world of manor houses and wide green lawns, and the gayness which ensues virtually welcomes Mr. Lerner back to his element. Meanwhile Mark, the dashing young shrink, falls in love with Daisy as Melinda (the girl has changed her accent, remember?). Daisy discovers that Mark has fallen for her 18th century model and runs away in tears of frustration. Mark catches her at the airport where she miraculously reintegrates the various centuries...
Burton Lane's songs are lighthearted and lyrical, very much in keeping with the strange whimsy of this show. The title song gets caught in Louis Jourdan's throat and could profitably be eliminated, but the ballad "Melinda" lingers nicely. Once back in the days of yore, the Rabelasian dance numbers capture the theatre, due partly to the clever choreography of Herbert Ross. The sequence by the Publick Trysting Place, in particular, almost explodes with action. There can be little wonder that it should, however, for the budget of this show easily permitted the choreographer a fine stable of nimble...
Barbara Harris as Daisy Gamble should become the sensation of the year on the New York stage. Miss Harris surpasses all the requirements of a musical comedy star and beyond that she can act. Her role requires her to shift continually from the aristocratic Melinda to Daisy, the goil from New Joisey. She overdoes neither, but rather projects two separate characters whose differences extend far beyond their dialects. While she plays Daisy, she prances about so wild-eyed that you would concede her mind capable of anything...
...Claremont Men's College, Producer (Funny Girl) Ray Stark's 21-year-old son Peter threw an "underground" cocktail party at The Scene, Manhattan's freest-wheeling nightclub. The guest list read like a society columnist's dream: Huntington Hartford, Mrs. Eric Javits, Wendy Vanderbilt, Melinda Moon, Freddie Guest (Winston's son) and his wife Stephanie (Joan Bennett's daughter), Maria Cooper (Gary's daughter), Liza Minnelli (Judy's daughter), Alexandra Cushing and Christina Paolozzi, plus a constellation of Southampton and Newport debs, some of whom flew in for the occasion...
...merchant who plans to sell his boots to the platoon Plume recruits, and his mental temperature oscillates between extremet canniness and extreme romanticism. Bramhall might have made the role gell a bit better by treating some of Worthy's protestations as posturing. Miss Lerstrom faces the same problem with Melinda and resolves it by throwing herself vigorously into the lady's every pose. She loves Worthy ardently, one minute and Brazen with equal passion the next. It works quite well...