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...when Jones' producer, Pappy Daily, signed up Montgomery to a record deal that led to some touring and some recording (and, according to some reports, some romance). Singing-wise, it was a great match. Tennessean Montgomery's bluegrassy, somewhat reedy voice both contrasted and complemented Texan Jones' more mellow sound...

Author: /time Magazine | Title: George's Gems | 12/1/2000 | See Source »

...regular adult, a "pale adult" and a slightly different form of the bird seen in eastern Canada. Another drawing portrays a group of robins in typical feeding postures on the ground. Beneath the artwork, Sibley presents a detailed description of robins' vocal behavior ("Call varies from a low, mellow pup or a sharp, clucking, often doubled piik to a sharper, rapid, urgent series kli quiquiquiqui koo..."). All this for what is probably the most easily recognized bird in North America...

Author: /time Magazine | Title: Books: Birds In The Hand | 11/27/2000 | See Source »

...Gore's ruthless ambition impairs his judgment. If he became president, and thus fulfilled his ambition, would his judgment improve? The nation must hope so. On the other hand, if Gore were to lose, would the loss mellow his ambition and deepen his character? Would he stop running up and down rope lines like an afternoon game show host...

Author: /time Magazine | Title: How the Loser Can Be a Winner | 11/27/2000 | See Source »

...more "rock" than others, and in the end we were able to shape each one without disrupting the continuity of the overall sound. The snare and bass drum on "Isn't It Strange" got a "big kick in the arse," to quote Ellard, while "Coast of California" kept its mellow-thing, true to the state it was written in. Meanwhile, the glockenspiel part got blended in. It's still there, believe me, but let's just say it's not upstaging the lead vocal...

Author: By Ty Gibbons, | Title: That Was Great, Now Do It Again | 11/3/2000 | See Source »

...publicist praises her work as "classic timeless pop," and those who are already fans of Cracknell's work with Saint Etienne would probably agree. Everything that shone about her vocal work for that band is even more obvious on her own album. Charmingly subdued and perfectly mellow at times, her voice calms and soothes you into a pop-induced bliss. Is Lipslide really "pop precision," as the press release would have you believe? There's nothing precise about it; you might even complain that all the tracks blend too much together, leaving you with nothing but pop amnesia. But Lipslide...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 10/20/2000 | See Source »

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