Word: mellowes
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Sometime past midnight at London's Crystal Night Club, the lights dim and the DJ drops a mellow beat. Right on cue, Julia Theresa Heller, a leggy 19-year old, struts across the stage in her bid to become Miss King's College 2008. "I'm originally from Germany and I love chocolate," she says to the judges, flashing a toothy smile as blinding as her blonde locks. "Just like me it's sweet, and definitely bad for you." When asked by the emcee to describe the superpower she'd most like to possess, Heller, a business management student, doesn...
...music suddenly turns bass-heavy, and he shouts to the music director across the room, “We don’t know if we’re going to be able to use that intense stuff.” It promptly switches back to mellow. As one of the founders of Project East, he knows what this event requires. On the one hand, he’s involved in most of the activities taking place in the JCR, walking from corner to corner to check on shoes or jackets, occasionally stopping to tell a model...
...said you’d never take a side / Papa / I’m too young to die / They’re never taking me / They’re never taking me alive.” “Broken Mirror” and the songs that follow mellow out. Rage exhausted, only cynicism remains. The chorus likens current disillusionment to Hemingway and the Lost Generation’s loss of faith, “Inside tolls the bell / Outside all is well.” The record ends, though, on a lighter note. The final song...
...waded into the whirlpool of freshman ambition, but emerged unsatisfied. The freshmen would most likely mellow. I wanted to talk to an upperclassman, someone who had had time to be disillusioned—and who still thought he could be president. Caleb L. Weatherl ’10 had been president of the Harvard Republican Club as a sophomore. He wrote occasional political pieces as a member of The Crimson’s editorial board. I had never met him, but I kept hearing his name, prefaced, as if by Homeric epithet, by “that guy who wants...
...Evergreen.” While these songs still have the folksy, raspy-voiced ballad feel that Adams effortlessly maintains, they tend to focus more on the hook and groove. “Evergreen” is a happy tune with snappy acoustic phrases and a mellow that aren’t a far cry from (I hate to say it) Jack Johnson. Another sound new to Adams is the soulful, gospel-tinged “Let Us Down Easy,” which offers a taste of early Stax, a hearty gospel chorus, and Adams’ signature twang. Adams...