Word: mellows
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Dates: during 1990-1999
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...theme of innovation came clear from the start with Daniel Pelzig's "Nine Lives: Songs of Lyle Lovett." The odd juxtaposition of ballet with Lovett's mellow country blues and twangy tunes created a comic atmosphere that was magnified by the black leatherish pants worn by the men and the attitudes adopted by the dancers in their dramatization of the lyrics. Whether pretending to light a cigarette or making an appropriate facial expression, the performers were certainly into the piece. Classical ballet seemed to become one with line dancing in the livelier segments, and interspersed throughout the piece were beautiful...
...warm up before expecting them to keep up with impossibly fast beats and long jams. Although most of the audience members tried to keep dancing, many were having a seat and taking a break after the first few songs or so. The end of the show brought back the mellow lyrics that have won Phish acclaim in the past. Phish is now experimenting with a new style that sometimes leaves longtime fans in the dark, but their concerts are still an experience worth...
...sound to Mozart. Reserved in the sense that the orchestra played No. 2 as a concerto and not as a symphony. De Waart's conducting gestures were never forced, were never angularly abrupt. This added to the fact that the muted vibrations of the orchestra and the sweet mellow tone of the piano actually, at times, cast more silence than resonance. Certainly, it was somewhat harrowing to hear the vast acoustics of Symphony Hall echo part music along with part emptiness...
Genre hopping is the favorite sport of today's pop stars, and few performers play the game better than Beck. On his major-label debut, Mellow Gold (1994), Beck helped re-energize folk motifs by combining them with hip-hop beats. On his new album, Mutations (DGC), Beck has mostly abandoned hip-hop. His new sound draws largely from older, traditional styles: pure folk, blues and, on the spirited song Tropicalia, bossa nova. The energy of Beck's hip-hop/folk experimentation is missed here; this is a ruminative album that's more about quiet revelation than sonic revolution...
...Mellow rhythms and pacifist rhymes come rolling from the voice of the legend's formative years. Marley is mixing with women's voices, echoing and harmonizing, "moving and grooving," with serenity in several tunes. The faster music and louder voice of Marley is substituted with romantic sounds and very tranquil moods. Experimental scales and variations prove Marley's command of the music realm. Even some instrumentals similar to Creedence Clearwater slide through in "Black Progress...