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...zeal to generate discussion about controversial issues, I may have gone too far on occasion. But I'm certainly not the evil conservative that the liberal establishment likes to depict all of its foes as. In real life, I'm a soft-spoken, mellow fellow who smiles and nods a lot. If I am guilty of anything. I would say (to borrow from Shakespeare) that I have loved opinion writing and debate over issues "not wisely, but too well...

Author: By David B. Lat, | Title: For Debate's Sake | 1/22/1996 | See Source »

...then shrugging them off. For a start, he was a traditional crooner who learned intonation from Crosby and salesmanship from Jolson. Yet there was a hint in his gestures (eyes closed in ecstasy, arms stretched out imploringly) that he was parodying the very idea of crooner; he was a mellow modernist. You could also peg Dino as an anachronism, a Joe E. Lewis saloon-lush type, the party animal in a tux. Or maybe he was the first slacker, elevating sloth to a Zen art. The stupefaction he radiated on his TV show--the Golddiggers dancing around him as wildly...

Author: /time Magazine | Title: CROONING TOWARD OBLIVION: DEAN MARTIN (1917-1995) | 1/8/1996 | See Source »

Stone typically bites and claws at his subjects, then spits out phantasmagoric movie melodrama--terrific stuff like Platoon and JFK. This time he's almost mellow. The script, which he wrote with Stephen J. Rivele and Christopher Wilkinson, argues that Nixon had a dark role in anti-Castro mischief; the Cuba connection keeps echoing. The movie also nails him for the Cambodian bombing that set in motion the destruction of a beautiful country. Oddly, Stone doesn't find Nixon guilty of starting the Vietnam War or killing John Kennedy. He does pock the film with right-wing poobahs who anticipate...

Author: /time Magazine | Title: CINEMA: DEATH OF A SALESMAN | 12/18/1995 | See Source »

...dance is clearly present in the sonata, in which the saxophone and piano trade off short, melodic phrases and nervous, jagged notes. In the third movement, the lyrical quality of the dance music comes to the fore, with longer, even languorous saxophone solos that seem reminiscent of the mellow, probing style of a Grover Washington, Jr. or David Sanborn...

Author: By Adam Kirsch, | Title: New Music Raises Old Questions | 12/7/1995 | See Source »

...concert last month in New York City, D'Angelo was ushered on stage by his band playing the theme from Shaft. And on his new album he delivers a mellow, unpretentious version of Smokey Robinson's classic Cruisin'. D'Angelo, 21, has a pleasant, floating falsetto, and he shows his vocal skills off well on Cruisin' as well as on the romantic, melodic Me and Those Dreamin' Eyes of Mine. He could, however, work a bit more on his lyrics, which lack the lubricated finesse evident in the rest of his songcraft. On Me and Those Dreamin' Eyes of Mine...

Author: /time Magazine | Title: MUSIC: OLD SMOOTHY | 9/18/1995 | See Source »

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