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Word: melodicism (lookup in dictionary) (lookup stats)
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Just as she did with her first LP. Etheridge has made a record of straight-ahead, stripped down rock and roll in which her throaty, deep. haunted voice (she may remind you of a more melodic. female version of Rod Stewart) overpowers the thin instrumentation of her band. You will...

Author: By David A. Plotz, | Title: Love's Labor Won | 10/6/1989 | See Source »

A problem listeners might find with Brave and Crazy is that many of the songs sound alike, and virtually all have similar lyrics. Typical is "No Souvenirs," the first cut of the album that allows Etheridge's voice to range from melodic ballad to a bluesy rap: like most of...

Author: By David A. Plotz, | Title: Love's Labor Won | 10/6/1989 | See Source »

They are the last ethnic group America can comfortably mock. In movies and on TV, the Italian-American male is Stanley Kowalski without the sex appeal, the female a masochistic Judy absorbing too many Punches. So it is a tonic to meet the Italian Americans in John Patrick Shanley's...

Author: /time Magazine | Title: Moonstruck In Lower Manhattan ITALIAN AMERICAN RECONCILIATION | 11/7/1988 | See Source »

Since 1971, when the iconoclastic Superstar shattered Broadway tradition with raucous electric guitars, grinding dissonances and a subject that was, to say the least, unorthodox, it has been fashionable to dismiss Lloyd Webber as a panderer to the basest melodic cravings of the mass audience, hammering home a few repetitive...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

The show was Joseph and the Amazing Technicolor Dreamcoat, written in 1967 for London's St. Paul's School, and it remains one of their most winning compositions. Originally a 25-minute piece for the school's younger boys, it was expanded for a performance at Central Hall, Westminster, where...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

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