Word: melodrama
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Dates: during 1990-1999
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...most exclusive resort? Get your hands on City of Light, a full-to-the-brim first novel. Set in turn-of-the-century Buffalo, N.Y.--a city that's being electrified, literally, by the new turbines at Niagara Falls--the book is part mystery and part historical melodrama, fluently mixing fact and fiction, with the sort of Victorian plot devices that guarantee a straight-through, sleepless read. The novel is no Ragtime, but it's close--an operatic potboiler, fat with romance, politics and scandal...
...gossip press and hung up pictures of her in their rooms, were not social snobs. Like Princess Grace of Monaco, Diana was a celebrity royal. She was a movie star who never actually appeared in a movie; in a sense her whole life was a movie, a serial melodrama acted out in public, with every twist and turn of the plot reported to a world audience. Diana was astute enough to understand the power of television and the voracious British tabloid newspapers. And she consistently tried to use the mass media as a stage for projecting her image...
...found out that she couldn't turn the media on and off at will, as though they were a tap. They needed her to feed the public appetite for celebrity gossip, and she needed them for her public performance, but what she hadn't bargained for was that her melodrama ran on without breaks. Everything she said or did was fair copy. After deliberately making her private life public, she soon discovered there was nothing private left...
...case by the same press that stoked the public worship of her. And finally she became the ultimate victim of her own fame: pursued by paparazzi, she became a twisted and battered body in a limousine. It was a fittingly tawdry end to what had become an increasingly tawdry melodrama. But it is in the nature of religion that forms change to fit the times. Diana--celebrity, tabloid princess, mater dolorosa of the pop and fashion scene--was, if nothing else, the perfect idol for our times...
...century, TIME has chosen a score who articulate the longings of the time they lived in. There are the extraordinary tales: of Charles Lindbergh's courage, Mother Teresa's selflessness, Marilyn Monroe's exuberance, Pele's superhuman skills, Anne Frank's immortality. And the parables: the Kennedy melodrama, the latter-day silence of Muhammad Ali, the brutal grace of Bruce Lee's art, the all-too-human Diana, Lindbergh's dalliance with Hitler. Iconoclasm is inherent in every icon, and heroes can wear different faces in the afterlives granted them by history and remembrance...