Word: melodrama
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...film to provoke violence may have less to do with the quantity or treatment of violence than with the director's ability to placate the emotions that he/she has whipped up. Take the controversy over Walter Hill's The Warriors. This stupidly written but stirringly staged 1979 gang melodrama was blamed for several murders and numerous acts of violence. Once again, fingers wagged and the debate over violence in movies resumed. A writer in Film Comment, however, argued very persuasively that while the violence in The Warriors was unquestionably a turn-on, the movie's limp, unsatisfying ending was more...
...film to provoke violence may have less to do with the quantity or treatment of violence than with the director's ability to placate the emotions that he/she has whipped up. Take the controversy over Walter Hill's The Warriors. This stupidly written but stirringly staged 1979 gang melodrama was blamed for several murders and numerous acts of violence. Once again, fingers wagged and the debate over violence in movies resumed. A writer in Film Comment, however, argued very persuasively that while the violence in The Warriors was unquestionably a turn-on, the movie's limp, unsatisfying ending was more...
...many, assassination appears to have become a kind of international adventure serial, available both in paperback and next door, and so is to be considered as something quasi-fictional, set apart by razzle-dazzle technology and melodrama from the life of real grief and real blood. The bestselling Matarese Circle has at the base of its plot the idea of the original assassins, the hashshashin, a bunch of hashheads who practiced contract murders at the behest of an "Old Man of the Mountains." We have had Three Days of the Condor, one Day of the Jackal, even...
...many cases, the unkindest cuts of movie moguls have been restored decades later by heroic film scholars. Together again for the first time: King Kong, in which the great ape engages in vigorous foreplay with Fay Wray; Welles' Macbeth and Touch of Evil; Max Ophuls' magnificent melodrama Lola Monies; and Sergio Leone's great homage to John Ford, Once Upon a Time in the West...
...other work in the canon shows more formally patterned structure and diction. Yet in this apprentice play Shakespeare wrote with unsurpassed gusto, letting the lines pour forth in torrents and saying things in several ways instead of choosing the best. The result was a ripsnorting melodrama that offered Elizabethas what horror movies provide us today. Richard III lacks the subtlety, artistry and development that we see in his nearest relatives, Macbeth and logo. And the whole play moves straightforwardly, putting few difficulties in our way except for a confusing genealogy...