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Word: melodrama (lookup in dictionary) (lookup stats)
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...Crooked Road. "You had me framed on a murder charge, you brought me here as a prisoner, you shot at me, you poisoned me-and then you laughed," says Robert Ryan. The tirade is not meant to be funny, but it neatly sums up this untidy, unintentionally laughable melodrama. Ryan plays a crusading journalist who wants to expose the misappropriation of U.S. funds in a tiny principality ruled by the Duke of Ocgagna (Stewart Granger). But first, Ryan must overcome such obstacles as 1) the whereabouts of photostats containing evidence to clinch his case and 2) a soft spot...

Author: /time Magazine | Title: Cinema: Straight Stuff | 2/12/1965 | See Source »

TINY ALICE. Mystification is the end result of Edward Albee's quasi-metaphysical suspense melodrama centering on the relationship between a lay brother (John Gielgud) and the richest woman in the world (Irene Worth). The burden of feeling rests on the language and a completely competent cast...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

...rubble to discover anew that there is nothing like a tight squeeze for bringing people together, while Rod Taylor, as a Nazi medico imbued with Yankee sportsmanship, reveals that he became a menace only to serve mankind. In the frayed formula ending, Writer Seaton has sabotaged his outlandish melodrama, like a man who strides into battle armed with a formidable secret weapon and hobbles out brandishing a mere slingshot...

Author: /time Magazine | Title: Cinema: D-Day-Minus-One | 2/5/1965 | See Source »

TINY ALICE. Mystification is the end result of Edward Albee's quasi-metaphysical suspense melodrama centering on the relationship between a lay brother (John Gielgud) and the richest woman in the world (Irene Worth). The burden of feeling rests on the language and a supremely competent cast...

Author: /time Magazine | Title: Television: Jan. 29, 1965 | 1/29/1965 | See Source »

...cheap sentimentality of the "Our Song" variety ("Play it again, Sam"). But, happily, it's easy to get in the mood for that sort of thing, and both Ingrid Bergman's charm and beauty, and Bogart's biting cynicism raise the film above the level of the ordinary gooey melodrama...

Author: By John Manners, | Title: A Viewer's Guide to Bogart: Four Classics, Huston's Joke | 1/21/1965 | See Source »

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