Word: melodrama
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...please the most civilized breast; gilding Pygmalion, My Fair Lady made a dazzling Mayfair lady of Shaw's guttersnipe. The season's comedies had everything from the faint fine laughter of the eyes to sheer guffawing rock and roll. There was rewarding drama as well as melodrama, and in The Diary of Anne Frank, which won seven awards (including the Pulitzer and Critics' Circle), sound sentiment...
...Gaby (which is distantly related to Waterloo Bridge, a 1930 melodrama by the late Robert Sherwood). Actress Caron has to do all these things and something even sillier. She plays a French ballet dancer who is too prim to succumb to the man she loves, though they are engaged to be married and he is about to go into battle. Later on, she refuses to marry him because, during a period when she thought him dead, she had not refused other men. After watching Actor Kerr (who played the schoolboy falsely accused of homosexuality in Broadway...
...Devil's Disciple is George Bernard Shaw. Lyric productions' latest captures only part of The Great Man's internal satire. He was fooling fewer people than he thought when he called this one "threadbare melodrama." At the Fine Arts...
...play begins to lag when the slap-stick is over. Randall, who himself plays the part of Malvolio, has turned the obvious solution of mistaken identities and misconceived ideas into minor melodrama at times. This converts Malvolio, actually a man of simple vanity and self-love, into a deep and muddled man. While it leads to great exploration of his character, underscoring of Malvolio's role seems disconcerting because he is actually superficial and should not arouse any real sympathy. Initially Malvolio's frustrations are good fun in the bawdy pattern of the designs against him, but later his quasipathos...
...Thresher, as his ever-dithering wife, does well to play her role completely valiantly, because it is important that she never lapse into obvious contempt for what she is trying to spoof. Joe Hudak's leers, in characterizing the villain, have an ambiguity which cleverly both underscore the mock melodrama and cynically comment on it. His violence and forcefulness have a very convincing feigned ugliness. The part of the author, played by Hugh Amory, is honest, and therefore very incisive and highly amusing. Unfortunately for George Montgomery, an Indian brave, his lines apparently call for modern comment on the ludicrous...