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Word: melodrama (lookup in dictionary) (lookup stats)
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Guest in the House (Hunt Stromberg-United Artists) is the psychological complement of another good Broadway-derived melodrama, Tomorrow the World (TIME, Jan. 15), in which a little boy from Hitler's Germany tries to tear an American household apart. The heroine of Guest in the House is quite unpolitical, but she is a spiritual Nazi - a power-mad, not unfamiliar feminine type for whom psychiatrists could supply accurate names...

Author: /time Magazine | Title: The New Pictures, Jan. 29, 1945 | 1/29/1945 | See Source »

With all this dark-of-the-moon melodrama behind them, the pair traveled confidently to Bangor, Boston and New York. They had a set of admirably forged draft cards, $60,000 in U.S. currency, and a fistful of diamonds. In Manhattan they browsed in radio shops, openly buying parts for a radio transmitter. Also they sampled the city's night life-in less than four weeks they managed to spend $3,425 of the Third Reich's funds...

Author: /time Magazine | Title: ESPIONAGE: If at First... | 1/15/1945 | See Source »

Tomorrow, the World! (United Artists) is a straightforward screen version of last year's straightforward stage melodrama (TIME, April 26, 1943) about the little boy from Hitler's Germany who brings his Nazi-conditioned reflexes into a liberal-minded American household and practically destroys it before he begins to see the dawn's early light...

Author: /time Magazine | Title: The New Pictures, Jan. 15, 1945 | 1/15/1945 | See Source »

...fine an actor as Mr. Lukas in it, as well as intelligent writing, direction and production. A partial explanation may be the fact that everyone paid too-loving attention to the film's chief virtues, which are nice to look at but are not the substance of good melodrama. The virtues: 1) some wintry Manhattan street scenes; 2) a memorable setting and costuming of the turn of the century; 3) Hedy Lamarr...

Author: /time Magazine | Title: The New Pictures, Dec. 25, 1944 | 12/25/1944 | See Source »

...Hollywood producers that he could really act, let his first picture, Hudsons' Bay, in 1940 speak for him, promptly became one of the screen's most popular portrayers of psychopathic, blood-curdling bad-men (Joan of Paris, The Lodger), had just completed, before his death, a new melodrama. Hangover Square...

Author: /time Magazine | Title: Milestones, Dec. 18, 1944 | 12/18/1944 | See Source »

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