Word: melodramas
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Dates: during 2010-2019
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What is so-so for Hollywood pictures would be wowee for independent films. Chloe, the weekend's sole medium-size release, earned $1 million in 350 theaters. A sexual melodrama offering the glory of hot-sheets action between Amanda Seyfried and Julianne Moore, Chloe will never get near the numbers of a well-promoted movie from a major studio. Nor will Noah Baumbach's Greenberg, a potential-breakout romance that won a sheaf of favorable reviews and has an actual movie star, Ben Stiller, in the title role; it took in $1.1 million on 181 screens. The Runaways, starring Dakota...
...Remember Me” drips with melodrama. There is simply too much of the “poor rich boy” sentiment that reeks of a poorly executed homage to Salinger. At one point in the film, Aidan even accuses Tyler of being “nihilistic,” which is surprisingly accurate. The film’s “carpe diem” message is lost in its saturation of emotional fits and Tyler’s fixation on his brother’s suicide. Even the central theme is not entirely supported as the film?...
...familiar formula: boy makes wager he can snag girl for nefarious purposes, then falls in love with her while the clock ticks down to the revelation of his lousy deed and his inevitable redemption. But rather than taking the traditional romantic comedy route, Remember Me is all about the melodrama. Instead of having the usual Manhattan magazine or fashion jobs, Tyler and his girl Ally (Lost's Emilie de Ravin) are college kids mired in misfortune. They are just 21 but have been through the wringer...
...Training Day,” though if he had, “Brooklyn’s Finest” would have been much more satisfying. While boasting an all-star lineup, including Richard Gere, Don Cheadle, Ethan Hawke, and Wesely Snipes, the film remains a pedestrian melodrama...
...cultural conflicts, while a battered turntable that sticks frequently punctuates the play’s powerful final moments. Overall, the production is fairly sparse, which accentuates the dreary gloom of the Harrington family’s relationships and takes the edge off some of the potential melodrama...